This year the 22nd of June will mark Windrush Day, a day commemorating the 76th anniversary of the Empire Windrush’s arrival in Britain in 1948 and the many Caribbean people who migrated to Britain in the decades to follow.
Did You Know: Approximately 50,000 people from the Caribbean were invited to the UK. The Empire Windrush alone carried over 800 Caribbean passengers.
A Brief History:
In 1948, the British Nationality Act granted citizenship and right of abode to all members of the British Empire, including those from the Caribbean. Many travellers between 1948 and 1971 came from Jamaica, Trinidad, St Lucia, Grenada and Barbados, all ready to start new lives.
Despite being invited to relocate in Britain, many Caribbeans experienced racism and discrimination, particularly in education, employment and housing, creating numerous challenges which are still being felt by generations today.
Today, Windrush Day is used to celebrate the culture and legacy of the Windrush Generation, and an opportunity to celebrate the contributions of British Caribbean communities to British society, and their influence on British culture. It is also important to recognise the sacrifices many Caribbean people made when coming to Britain such as leaving children and other family members behind, with hopes of reuniting at a later time.
The descendants of the Windrush generation have worked hard to keep the histories and stories of their families alive.
Andrea Levy’s famous novels were inspired by her Jamaican heritage. Her novel Small Island was adapted into a two-part television drama by the BBC in 2009. In an revealing and significant scene, ‘Hortense Dreams of England’, the narrative captures how the Caribbean migrants were socialised into believing imperialism and white supremacy would benefit them. The scene is a powerful indicator of the beliefs and mindset which influenced the initial experiences of some of the Windrush Generation.
Did You Know: Empire Windrush’s first stop was in Essex at Tilbury Dock, before heading towards London.
BLAM’s Research on Windrush:
Over the years, BLAM UK has researched the histories of the Windrush Generation.
As part of the Grounded Project, BLAM has taught primary and secondary schools about the influence the Windrush Generation has had on British culture. Such as the creation of Lovers Rock genre, invented in response to racial discrimination and alienation. Additionally, BLAM has examined how Black British Fashionwas shaped by the arrival of the Windrush Generation. Our blog delves into the historical significance of the skills, styles and fashions brought over from the Caribbean which enriched the fashion landscape with vibrant and diverse influences. It also celebrates the trailblazing influencers who have paved the way for contemporary designers to shine on a global scale.
[1948: Jamaicans on board the Empire Windrush, copyright Illustrated London News Ltd. Mary Evans]
Brixton is sometimes referred to as ‘Little Jamaica’ due to its large Jamaican population. It is also home to Windrush Square, an open space in the heart of Brixton commemorating the arrival of the Empire Windrush.
Following World War II, the Windrush Generation built up their communities in Brixton, providing foods which had never been sold before to become more accessible, such as plantain and yams. This growth had a trickle down effect on other communities such as Indian and West African migrants who were also able to preserve their cultures in a new environment.
Did you know: Approximately 800,000 thousand Jamaicans and those of Jamaican descent live in the U.K.
[6th September 1952: West Indian shoppers in Brixton market. Original Publication: Picture Post – 6044 – Breeding A Colour Bar ? – pub. 1952 (Photo by Charles Hewitt/Picture Post/Hulton Archive/Getty Images)]
The Controversies:
BLAM has also delved into the The Lesser-Known Stories Behind the Windrush Scandal. This publication followed the 2018 controversy stemming from government sanctioned offences which saw Afro-Caribbean descendants’ human rights violated through unlawful detainment, and even deportation orders being executed. Evidence was found regarding discriminatory legislations and practices occurring for years before the news was exposed. Our book, which we will share in more detail later, highlights the responses to the Windrush scandal, particularly looking at the Poems on the Underground: Windrush. This archive of poems by Caribbean authors expresses their experiences during that time and examines the implications for Black British culture today.
Learn more about Windrush with our practical resource guide, Global Black Narratives for the Classroom: Britain and Europe. It offers primary education teachers a comprehensive outline of Black history, culture, and life within the UK’s National Curriculum.
Chapter 13 – (From one Small Island to another – Windrush), offers an in-depth study of the Windrush Era. It includes engaging activity tasks and resources. The main objectives of our Windrush era lessons are: to develop empathy through engaging with Caribbean authors, to understand cultural experiences through word retrieval, and to reflect on how Black identities shaped social experiences through migration.
Global Black Narratives covers historical figures such as Claudia Jones, a.k.a Mother of Notting Hill Carnival, her community activism in response to racial tension. Historic events such as the Bristol Bus Boycott which parallels the US Civil Rights Movement. Also exploring the Caribbean Artists Movement (CAM) and how it became a creative catalyst for change within the community.
Each topic in this essential book equips teachers, teaching assistants, senior leaders, and parents with historical, geographic, and cultural context to confidently plan and teach from decolonised perspective, with culturally aware content. It includes full lesson plans, printable worksheets, and tips for developing future lessons aligned with the explored themes.
More about Global Black Narratives:
Created by BLAM UK,this highly informative yet practical resource is an essential read for any teacher, teaching assistant or senior leader who wishes to diversify their curriculum and address issues of Black representation within their school.
Today BLAM UK honours the incredible achievements of contemporary Black British Sports Stars!
Let’s shine a spotlight on their remarkable accomplishments across various fields and applaud the profound impact they’ve had on British society. Join us as we shower these present-day heroes with well-deserved recognition and pay homage to their outstanding successes!
Let’s kick off with football:
Name: Marcus Rashford (26)
Heritage: Jamaican and St Kittitian
Profession: Footballer and Activist
Rashford is known nationally as a changemaker due to his active work addressing racism in the UK, childhood poverty, homelessness and child hunger. Rashford has spoken at great lengths about his early years and experiences with poverty in Manchester and why he is passionate about campaigning. This has landed him recognition globally, with Time 100 recognising him as one of the most influential people of 2021.
Achievements:
Youngest English player to score at his first international match in 2016.
Youngest player at the UEFA Euros 2016.
Youngest recipient of an honorary doctorate from the University of Manchester for his work combating child poverty in the UK.
Expert Panel Special Award in the 2020 BBC Sports Personality of the Year.
Campaigner Of The Year in the 2020 GQ Men Of The Year.
Now let’s enter the boxing ring:
Name: Anthony Joshua (34)
Heritage: Nigerian and Irish
Profession: Boxer
Joshua only began boxing at the age of 18. Before pursuing boxing professionally, Joshua worked as a bricklayer whilst still doing amateur boxing matches. He was inspired by his cousin, Gbenga Ileyemi, the 2011 ABA heavyweight champion. Alongside crowded matches, Joshua can often be seen on screens modelling for well known brands such as BOSS.
Achievements:
Competed in the 2012 London Olympics before turning professional.
Won Team GB’s final medal during the Olympic games.
Won Gold in the super heavyweight category at just 22 years old.
First British heavyweight to win gold at the Olympics.
First British heavyweight to win a world title by a major professional sanctioning body.
Next we sprint to:
Name: Karé Adenegan (23)
Heritage: British Nigerian
Profession: Wheelchair sprint distances in T34 racing
Adenegan was born with Diplegic Cerebral Palsy, a genetic condition impacting her lower limbs and mobility. Adenegan is outspoken about how this condition impacted her physical education as a child. Adenegan continues to advocate for greater inclusion for people living with disabilities within sports. She speaks at various national events and via her podcast ‘Sporting for His Glory’, a podcast sharing stories about Christians in the sports world.
Achievements:
At just 14 years old, won double bronze at the IPC Athletics World Championships 2015.
At just 17 years old, Adenegan set a new world record in the Women’s T34 100m with a time of just 16.8 seconds.
Won a gold medal in the Berlin European Championships 2018.
Won bronze and silver in the Rio Paralympics 2016.
During the World Championships in London 2017 won silver and bronze.
Won two silver medals in the 2019 World Para-Athletics Championships.
Won two silver medals during the 2023 Paralympic Games in Tokyo.
Won two silver medals during the 2023 World Para-Athletics Championships.
Named BBC Young Sports Personality of the year 2018.
Watch Adenegan talk about her experiences here:
Time to relay to another record maker:
Name: Dina Asher-Smith (28)
Heritage: Jamaican and Trinidadian
Profession: Sprinter
Asher-Smith’s multifaceted achievements make her an icon both on, and off the track, inspiring generations with her talent and determination. From an early age, Asher-Smith showcased her talent, setting a world best time for the 300m at just 13 years old. She is often referred to as the ‘world’s fastest teenager’ after competing at the European Indoor Championships. Asher-Smith is seen as a true role model and celebrated internationally by girls and women alike.
Achievements:
At just 13 years old, she ran a world best time for 300m (39.16).
Declared ‘world’s fastest teenager ever over 60m and 200m’ winning silver at the European Indoor Championships in Prague.
Aged 17, Dina was the youngest athlete on the British team for the IAAF World T&F Championships in Moscow 2013.
Holds British records in the 100m and 200m races.
Is the first British woman to win a world title.
Holds records in the European Junior Indoor record for 200m.
Youngest ever female World Championship relay medallist.
Broke records at the World Championships in Beijing during the 200m and 4x100m.
Walked for Off-White during Paris Fashion Week 2018.
Let’s change gears and drive over to:
Name: Lewis Hamilton (39)
Heritage: Grenadian and British
Profession: Race-car driver
Hamilton is known globally for annihilating expectations and his refusal to conform to stereotypes. Since Hamilton was a child he has been redefining what a Formula 1 (F1) driver looks like and who can be one. Being the first Black driver in F1 has inspired him to launch a commission, in collaboration with the Royal Academy of Engineering, aimed at identifying ways to encourage more Black people to participate in the British motorsport industry. Since launching in 2020, the Hamilton Commission has worked to provide recommendations to make engineering more inclusive and accessible. Hamilton also founded the charity Mission 44, which works to make a fairer, more inclusive world for young people by investing in solutions to empower young people to overcome social injustice.
Achievements:
Aged 8 years old began karting.
Aged 13 was the youngest driver contracted by an F1 team- ‘greatest rookie performances in F1 history’.
As a teen, won the British Karting Championship in the Cadet Class.
First Black person to drive in F1.
Youngest ever 30th F1 World Champion.
First ever driver to record 100 grand prix victories.
Has won seven championships.
In 2008 was the first Black driver to win the F1 world drivers’ championship.
Now we swim over to:
Name: Alice Dearing (26)
Heritage: Ghanaian and British
Profession: Swimmer
Dearing made history in 2021 when she was announced to be Team GB’s first ever Black female swimmer at the Olympics. Since she was six years old, Dearing has been an avid swimmer and has not allowed barriers to get in her way. She regularly speaks on and writes about her experiences. Dearing’s experiences have resulted in her founding the ‘Black Swimming Association’, a charitable organisation dedicated to encouraging more Black people to take up swimming and advocating for water safety and inclusion.
Achievements:
World and European Junior Champion 2016.
Team GB’s first Black female Swimmer 2021 Olympic Games.
Olympic Marathon Swimmer.
The Sunday Times Changemaker Of The Year award 2022.
Sports Journalist of the Year award 2022.
Listed third on the BBC’s Woman’s Hour Power list 2023.
LETS CONCLUDE BY RIDING OFF INTO THE SUNSET:
Name: Khadijah Mellah (24)
Heritage: Kenyan and Algerian
Profession: Jockey
Mellah is a competitive British horse racer, who made history by becoming the first jockey to wear a hijab. More impressively, she won the Magnolia Cup at Goodwood whilst completing her A-Levels! Mellah’s story has been so inspiring that a TV series documenting her journey is available to watch: Riding A Dream. Mellah has made sure to leave the door wide open for other hijabi women to pursue their riding dreams, through her ‘Riding A Dream Academy’ and scholarships.
Achievements:
Made history as the first Hijabi jockey.
Winner of the Magnolia Cup 2019.
The Times Young Sportswoman of the Year 2019.
Founded ‘The Riding A Dream Academy’ and the Khadijah Mellah Scholarship in 2021.
The controlling nature of retributive justice can be seen to act as a barrier to progress, maintaining injustices and failing to tackle the underlying causes of them. The system must change to combat institutional problems and the focus needs to shift to Transformative Justice – instead of excessively incarcerating minorities, shrouding the State in protection and accepting the dysfunctional fatal system of policing, we should hold people accountable for harm they cause, identify root causes of issues and tackle their perpetuation by societal and systemic change.
Chief Constable Peter Fahy’s proposal of ‘Place Based Integration’ acknowledged concerns of police culture and the internal politics of hierarchically-based organisations. He implemented ‘Place Based Integration’ and ‘Integrated Neighbourhood Teams’ in Greater Manchester which required officers to refer vulnerable people to the appropriate service instead of invoking the CJS – shifting police resources into local preventative schemes, allowing holistic, suitable responses to matters such as mental health. Transformative Justice calls for the CJS to be recognised as responsible for the violent oppression of marginalised communities, and encourages responding instead to interpersonal or community violence within more intimate community or civil systems. Fahy’s programmes intrinsically reduces unnecessary over-policing and the system had beneficial impact, shifting philosophical perceptions and ‘working directly with people and communities to understand why the traditional system is often unable to do the right things’. Afterall, ‘[i]n an advanced, prosperous country people with mental disorder should receive their care from the health services and not the police’. Despite Place Based Integration evidencing success, reducing the number of people detained by inappropriate police powers due to mental ill-health by 90%, such schemes have not been mirrored in any other UK police force. Transformation, as opposed to restoration and retribution, recognises the context of structural conditions in which violence takes place, such as poverty, racism, sexism, homophobia, ableism, and other systemic forms of violence. A Transformative Justice System would have mechanisms to tackle harm, not by causing further harm through punishment from a body with embedded inequalities, but by rehabilitation, education and improved community support addressing root causes of harm-ful and harm-causing behaviour.
At BLAM, we see how the ‘double discrimination’ of Black people with mental health issues manifests against young children. Many parents struggle to gain a mental health diagnosis for their child, they feel let down by CAMHS and doctors. Even where a diagnosis has been received, we have seen children wait 10 months for an effective Education Health and Care
Plan (ECHP) when they are meant to take no more than 20 weeks to complete, and some schools fail to implement an appropriate care plan at all. These children are often neglected and excluded as their behaviour is misunderstood and mismanaged. We see children who have been in contact with CAMHS from as young as 8 years old face persistent failures from schools and the State – instead of receiving support, and consideration for struggling with the schooling structure, such children are often deemed ‘problematic’ and excluded. The exclusion to prison pipeline is well documented and goes to show another systemic failure of the State. From healthcare to schooling to policing, the system is both damaged and damaging, particularly for Black people. As such, BLAM intercepts these exclusions, acting
as a Transformative Justice mechanism fighting the multilayered oppression excluded Black children face. It is vital that people can access community-based mental health support and that our systems are addressed and improved. This is Transformative Justice’s agenda. This improvement can only happen with the re-funding of community support systems and the destruction of discriminatory assumptions embedded in State structures. Police involvement in mental health matters can be stigmatising and would be better managed with well-funded community-based experts who possess the ‘emotional intelligence and empathy to diminish the need for physical restraint’. The institutional use of surveillance, policing and imprisonment serves only white, heterosexual, cisgendered, able people and manifests systemic issues and marginalisation of Black people. Transformative Justice aims to address and confront the oppressions at the root of harm and prevent the domino effect. Such processes include political education around sexist, racist, abelist and other oppressive behaviour, sexual violence prevention work, victim-offender mediation and healing processes. These mechanisms challenge the social system that currently fights harm with harm, and create a move towards a Transformative Justice system.
Mental health issues can arise from external issues such as systemic racism, stress and poverty, and sometimes they are unprovoked – either way those struggling with mental ill-health should have equal access to appropriate resources. The causes and effects of mental health should be appropriately handled by informed systems, not stigmatised, misunderstood and politicised. Transformative Justice would say that the State as it stands has no place in mental health, and that community resources must be adequately funded and trained to allow for root causes of mental ill-health to be addressed and systemic stigma and violence about mental health to be destroyed. However, community mental health resources in the UK have been continuously defunded, leaving the State responsible for handling mental health.
The Color Purple by Alice Walker, was originally a novel following Celie, an African American woman, as she wrote letters to God detailing her life in the early 1900s. It portrays Celie’s journey towards empowerment, overcoming oppression and abuse to find fulfilment and independence.
The novel received widespread acclaim for its portrayal of Black female characters, the way it provided marginalised groups a voice, and its use of African-American Vernacular. Additionally, Walker defined the term “womanist”, which celebrates the unique struggles and strengths of Black women while feminism acts as a subtype. Womanist emphasises the importance of intersectionality, Black women’s agency and empowerment which are themes explored in the book and movies. According to Walker, “Womanist is to feminist as purple is to lavender.”
The book was first published in 1982 and critically acclaimed, so much so that it earned Walker a Pulitzer Prize in fiction, making her the first African American woman to win one since the awards began in 1948. Today, The Color Purple is considered an American classic due to its diversity in storytelling and its deep socio-cultural significance, highlighting Black women’s experiences in a white supremacist, patriarchal world.
The book is also included in the Library of Congress. It is now taught in schools internationally and is included in the British education curricula in Key Stage 5 as it contributes to discussions on race, gender and literature.
The first movie was released in 1985 and starred a majority Black cast which was not common at the time. The movie was so well received by fans of the book and the wider American public that it was nominated for 11 Academy Awards, and propelled Whoopi Goldberg and Oprah Winfrey’s acting careers. In 2005, the book was adapted for Broadway with Oprah being one of the producers. The production’s hit music and star studded cast won two Tony Awards in 2016.
The themes addressed in The Color Purple encompass various aspects of societal struggles and personal growth. Firstly, the novel delves into sexism, highlighting the challenges faced by Black women and emphasising the importance of sisterhood, this is demonstrated by the consistent letters Celie’s sister, Nettie, writes to her whilst navigating her own living situation abroad. Both sisters write of powerlessness but from different perspectives but with similar emotions and a need for belonging and reconnection.
Additionally, it confronts racism, depicting the oppression experienced by African Americans in the early 1900s and addressing ongoing issues still relevant today. Furthermore, the narrative explores abuse within familial, platonic, and romantic relationships. We see this through the abuse suffered by the sisters at their father’s hands when young and how that translates to their adult relationships.
It also delves into religious themes, including the questioning of faith and the impact of community beliefs. The novel exists because Celie has turned to her only confidant- God, for comfort following the abuse she has faced.
Finally, the novel addresses themes of sexuality and identity, particularly focusing on the denial of queer love, which was notably censored in the original movie adaptation despite featuring a kiss between two female characters, Celie and Shug, on screen.
The latest movie adaptation, released in 2023, is based on the Broadway musical and utilises Black music rooted in the struggles of the Black community to express the emotions and experiences of the characters. The narrative portrays both sadness and the empowerment that comes from overcoming adversity and surviving against all odds. To commemorate the movie’s release, influencers have embraced social media platforms like TikTok, recreating dance numbers and musical moments from the film.
Today, The Color Purple stands as a significant cultural landmark, captivating readers and audiences worldwide. Its themes, especially those on abuse within the home and religious connection, were not openly discussed at the time Walker published her book. The book has received criticism for its raw and unfiltered nature for discussing issues such as child abuse early on, however Walker has defended herself against this criticism, stating statistics on child abuse within the United States. The characters, and the compelling narrative ignite crucial dialogues on intersectionality and social justice, leaving a profound impact on subsequent literary, theatrical, and cinematic creations.
The Color Purple by Alice Walker, was originally a novel following Celie, an African American woman, as she wrote letters to God detailing her life in the early 1900s. It portrays Celie’s journey towards empowerment, overcoming oppression and abuse to find fulfilment and independence.
The novel received widespread acclaim for its portrayal of Black female characters, the way it provided marginalised groups a voice, and its use of African-American Vernacular. Additionally, Walker defined the term “womanist”, which celebrates the unique struggles and strengths of Black women while feminism acts as a subtype. Womanist emphasises the importance of intersectionality, Black women’s agency and empowerment which are themes explored in the book and movies. According to Walker, “Womanist is to feminist as purple is to lavender.”
The book was first published in 1982 and critically acclaimed, so much so that it earned Walker a Pulitzer Prize in fiction, making her the first African American woman to win one since the awards began in 1948. Today, The Color Purple is considered an American classic due to its diversity in storytelling and its deep socio-cultural significance, highlighting Black women’s experiences in a white supremacist, patriarchal world.
The book is also included in the Library of Congress. It is now taught in schools internationally and is included in the British education curricula in Key Stage 5 as it contributes to discussions on race, gender and literature.
The first movie was released in 1985 and starred a majority Black cast which was not common at the time. The movie was so well received by fans of the book and the wider American public that it was nominated for 11 Academy Awards, and propelled Whoopi Goldberg and Oprah Winfrey’s acting careers. In 2005, the book was adapted for Broadway with Oprah being one of the producers. The production’s hit music and star studded cast won two Tony Awards in 2016.
The themes addressed in The Color Purple encompass various aspects of societal struggles and personal growth. Firstly, the novel delves into sexism, highlighting the challenges faced by Black women and emphasising the importance of sisterhood, this is demonstrated by the consistent letters Celie’s sister, Nettie, writes to her whilst navigating her own living situation abroad. Both sisters write of powerlessness but from different perspectives but with similar emotions and a need for belonging and reconnection.
Additionally, it confronts racism, depicting the oppression experienced by African Americans in the early 1900s and addressing ongoing issues still relevant today. Furthermore, the narrative explores abuse within familial, platonic, and romantic relationships. We see this through the abuse suffered by the sisters at their father’s hands when young and how that translates to their adult relationships.
It also delves into religious themes, including the questioning of faith and the impact of community beliefs. The novel exists because Celie has turned to her only confidant- God, for comfort following the abuse she has faced.
Finally, the novel addresses themes of sexuality and identity, particularly focusing on the denial of queer love, which was notably censored in the original movie adaptation despite featuring a kiss between two female characters, Celie and Shug, on screen.
The latest movie adaptation, released in 2023, is based on the Broadway musical and utilises Black music rooted in the struggles of the Black community to express the emotions and experiences of the characters. The narrative portrays both sadness and the empowerment that comes from overcoming adversity and surviving against all odds. To commemorate the movie’s release, influencers have embraced social media platforms like TikTok, recreating dance numbers and musical moments from the film.
Today, The Color Purple stands as a significant cultural landmark, captivating readers and audiences worldwide. Its themes, especially those on abuse within the home and religious connection, were not openly discussed at the time Walker published her book. The book has received criticism for its raw and unfiltered nature for discussing issues such as child abuse early on, however Walker has defended herself against this criticism, stating statistics on child abuse within the United States. The characters, and the compelling narrative ignite crucial dialogues on intersectionality and social justice, leaving a profound impact on subsequent literary, theatrical, and cinematic creations.
Explore stories of community initiatives, grassroots movements in the UK, and organisations that focus on promoting joy, unity, and empowerment.
Highlight the positive impact of community leaders and role models
What does community mean to you?
Cambridge Dictionary: ‘the people living in one particular area or people who are considered as a unit because of their common interests, social group, or nationality’
For many, communities symbolise unity and empowerment, they are extended chosen families which instil joy and peace in our lives. They create a sense of belonging in environments where historically people may have been excluded.
Within the UK there are numerous communities working to promote joy, unity and empowerment. These communities can be found in many forms, through neighbourhoods, employment, hobbies, grassroots movements, and social clubs. There is something for everyone who may be seeking their tribe.
Communities thrive from strong leadership and role models, people who unite and motivate others to achieve their dreams. Leaders tend to be reflective of their communities and as a result empower their members to attain similar standards and work ethics as seeing people who ‘look like you’ can empower and motivate people to aspire to being in similar roles. For many, particularly those from underrepresented groups, role models from similar backgrounds ‘can change the course of [their] life: instilling confidence, inspiring others, and creating space for the underrepresented.’
Let’s examine some amazing communities and grassroots movements, the work they are doing to improve lives and the amazing leaders they have.
Bristol based charity, Babbasa, is a prominent organisation with a proven track record in empowering youth from underrepresented young people.
Their three core programs – Support, Challenge, and Placement – offer a range of soft skills training, mentoring opportunities, career-oriented events, and personalised recruitment assistance for young people. By allowing young people to progress at their own pace, these initiatives create a clear pathway for participants to enhance confidence, develop skills, establish connections with employers and mentors, and gain valuable workplace experience. Babbasa’s success is evidenced by numerous awards and a robust network of over 500 organisations spanning various sectors. To date, they have positively impacted over 2,200 young individuals from diverse cultural backgrounds, aiding them in achieving their professional goals.[3]
UK Black Pride (UKBP) is the world’s largest celebration for LGBTQI+ people of African, Asian, Caribbean, Latin American and Middle Eastern-descent.
Co-founded by Lady Phyll (Phyll Opoku-Gyimah) in 2005, it began as a safe space for Black queer women. Today, UK Black Pride’s mission is ‘strength through unity’.[4]
For many in the LGBTQI+ community it offers a space for people to ‘feel seen and validated’ as stated by a member. Oftentimes, Black queer people are expected to ‘compromise’ themselves in order to ‘fit into certain spaces’. UKBP celebrates intersecting identities and has created a safe community for many marginalised groups.[5]
London based Notting Hill Carnival celebrates the resilience, cultural diversity and the rich history of the Caribbean communities of London. It has its origins in the carnival traditions of the Caribbean and the social and political conditions of the post-1948 migration of peoples from the Caribbean to Britain. Following the arrival of the SS Empire Windrush in 1948, more than 300,000 people from the Caribbean settled in Britain. By the 1950s, Brixton and Notting Hill had the largest population of Caribbean people in Britain.[6]
Claudia Jones, a Trinidadian human rights activist, is credited with introducing Carnival and creating the space for Caribbean people to celebrate their heritage during times of prevalent racial tension and discrimination.
In 2023, an estimated 1.5 million attended and experienced the sense of global community that Carnival brings. Notting Hill Carnival is still proudly a community-led event, its ever-increasing popularity over the last 5 decades has seen it become the wonderfully diverse and vibrant event it is today. [7]
These communities showcase the power of resilience and perseverance in forming and sustaining groups, particularly among marginalised communities. Despite enduring years of oppression, they are now led by influential figures who work tirelessly to challenge societal perceptions and uplift their communities.
Community Empowerment:
Explore stories of community initiatives, grassroots movements in the UK, and organisations that focus on promoting joy, unity, and empowerment.
Highlight the positive impact of community leaders and role models
What does community mean to you?
Cambridge Dictionary: ‘the people living in one particular area or people who are considered as a unit because of their common interests, social group, or nationality’
For many, communities symbolise unity and empowerment, they are extended chosen families which instil joy and peace in our lives. They create a sense of belonging in environments where historically people may have been excluded.
Within the UK there are numerous communities working to promote joy, unity and empowerment. These communities can be found in many forms, through neighbourhoods, employment, hobbies, grassroots movements, and social clubs. There is something for everyone who may be seeking their tribe.
Communities thrive from strong leadership and role models, people who unite and motivate others to achieve their dreams. Leaders tend to be reflective of their communities and as a result empower their members to attain similar standards and work ethics as seeing people who ‘look like you’ can empower and motivate people to aspire to being in similar roles. For many, particularly those from underrepresented groups, role models from similar backgrounds ‘can change the course of [their] life: instilling confidence, inspiring others, and creating space for the underrepresented.’
Let’s examine some amazing communities and grassroots movements, the work they are doing to improve lives and the amazing leaders they have.
Bristol based charity, Babbasa, is a prominent organisation with a proven track record in empowering youth from underrepresented young people.
Their three core programs – Support, Challenge, and Placement – offer a range of soft skills training, mentoring opportunities, career-oriented events, and personalised recruitment assistance for young people. By allowing young people to progress at their own pace, these initiatives create a clear pathway for participants to enhance confidence, develop skills, establish connections with employers and mentors, and gain valuable workplace experience. Babbasa’s success is evidenced by numerous awards and a robust network of over 500 organisations spanning various sectors. To date, they have positively impacted over 2,200 young individuals from diverse cultural backgrounds, aiding them in achieving their professional goals.[3]
UK Black Pride (UKBP) is the world’s largest celebration for LGBTQI+ people of African, Asian, Caribbean, Latin American and Middle Eastern-descent.
Co-founded by Lady Phyll (Phyll Opoku-Gyimah) in 2005, it began as a safe space for Black queer women. Today, UK Black Pride’s mission is ‘strength through unity’.[4]
For many in the LGBTQI+ community it offers a space for people to ‘feel seen and validated’ as stated by a member. Oftentimes, Black queer people are expected to ‘compromise’ themselves in order to ‘fit into certain spaces’. UKBP celebrates intersecting identities and has created a safe community for many marginalised groups.[5]
London based Notting Hill Carnival celebrates the resilience, cultural diversity and the rich history of the Caribbean communities of London. It has its origins in the carnival traditions of the Caribbean and the social and political conditions of the post-1948 migration of peoples from the Caribbean to Britain. Following the arrival of the SS Empire Windrush in 1948, more than 300,000 people from the Caribbean settled in Britain. By the 1950s, Brixton and Notting Hill had the largest population of Caribbean people in Britain.[6]
Claudia Jones, a Trinidadian human rights activist, is credited with introducing Carnival and creating the space for Caribbean people to celebrate their heritage during times of prevalent racial tension and discrimination.
In 2023, an estimated 1.5 million attended and experienced the sense of global community that Carnival brings. Notting Hill Carnival is still proudly a community-led event, its ever-increasing popularity over the last 5 decades has seen it become the wonderfully diverse and vibrant event it is today. [7]
These communities showcase the power of resilience and perseverance in forming and sustaining groups, particularly among marginalised communities. Despite enduring years of oppression, they are now led by influential figures who work tirelessly to challenge societal perceptions and uplift their communities.
Explore the joy and empowerment found in expressing cultural identity through fashion.
Black British Fashion
The phrase ‘Often Imitated, Never Duplicated’ captures the essence of Black British fashion and its global influence. While many may attempt to replicate the style, the originality and authenticity of Black fashion trends remain unparalleled. The unique blend of cultural heritage, innovation, and self-expression within Black UK fashion sets it apart, making it a trendsetter that resonates on an international scale.
From pioneering designers like Walé Adeyemi, to trailblazing models like Naomi Campbell, Black British individuals have played an integral role in shaping the fashion landscape.
The Influence of the Windrush Generation
[1948: Jamaicans on board the Empire Windrush, copyright Illustrated London News Ltd. Mary Evans]
The Windrush generation, on arriving in the UK, brought with them a rich tapestry of new skills, styles and fashions. Seamlessly integrating their cultural heritage into the fabric of British society, enriching the fashion landscape with vibrant and diverse influences. For instance, The Zoot suit was often worn by Caribbean men and consisted of high waisted, wide-legged trousers, worn with a long jacket.
Many aboard the HMT Empire Windrush brought with them the rich tradition of clothes-making, from shoemakers to tailors, each individual brought expertise to their new home. Despite facing racism, they sought to establish a new sense of identity in the UK. Their fashion choices reflected a blend of international influences, showcasing pride and determination.
Alethea McNish, born in Trinidad and moved to the UK in the 50’s was known for her colourful designs which stood out in the post-war period. She often worked with large fashion houses such as Christian Dior.
Today’s Trailblazers
Nigerian-British designers such as Fisayo Longe and Clint Ogbenna, have made significant strides in the fashion industry, establishing successful businesses that have dressed celebrities such as Saweetie and Drake. Their entrepreneurial endeavours not only showcase their talent and creativity but also contribute to shaping contemporary fashion trends and influencing popular culture.
Their creative expressions blend elements of African and Caribbean heritage with contemporary British aesthetics, offering a fresh perspective that resonates across diverse communities. Through their bold designs, vibrant colours, and innovative approaches, they challenge norms, celebrate diversity, and redefine standards of beauty.
Black British Women’s Influence
Black British women are increasingly influential in shaping global fashion trends, with their impact amplified by social media platforms. Captivating “get ready with me” videos are used to authentically express themselves, showcasing unique styles and perspectives that resonate with diverse audiences worldwide in real-time, underscoring the relevance and power of their influence in today’s fashion landscape.
Women are celebrated for their exceptional fashion sense and the significant impact it exerts on the global stage. This is evident in hashtags such as #UKBlackGirlAesthetic, boasting over 1000 posts dedicated to showcasing the distinctive styles of Black women in the UK, highlighting their unique fashion expressions that set them apart from counterparts in other regions across the globe.
Influencers such as celebrity fashion stylist, Melissa Holdbrook-Akposoe of Melissa’s Wardrobe and Nella Rose, are driving trends in the UK through popular “try on hauls,” where they showcase their favourite clothing items and highlight standout shops. These videos often go viral, significantly influencing the fashion landscape and the trends embraced by individuals across the country.
Their influence has garnered immense popularity, leading them to partner with global brands and even launch their own fashion lines. These lines not only reflect their personal style but also serve as a platform to influence trends centred around joy and empowerment. Through their fashion endeavours, they continue to inspire and uplift others, spreading body positivity and confidence throughout the industry.
[Melissa’s Wardrobe on Instagram] + [Pretty Little Thing x Nella Rose Collaboration]
Black British Men’s Influence
A standout figure in contemporary British fashion is Skepta, also known as Joseph Adenuga, renowned as a fashion icon and a regular presence at London Fashion Week. His distinct style has earned him recognition as one of Britain’s best-dressed men.
This year, Skepta expanded his influence with the launch of Mains London, a ready-to-wear line debuting at London Fashion Week. Blending streetwear with sophistication, his collection captivated audiences and critics alike, challenging norms and reflecting the diversity of British culture.
Skepta’s venture into fashion marks a significant milestone, reshaping the landscape of British fashion with his innovative designs and creative vision. As a trailblazer in both music and fashion, Skepta embodies the spirit of self-expression at the core of Black British identity.
The association between Black men and puffer jackets, as well as designer tracksuits influenced by Grime music, creates a symbiotic relationship where fashion trends inspire and are inspired by cultural movements. Celebrities, alongside the youth who admire them, play a pivotal role in shaping these trends, with their style choices setting the tone for broader fashion landscapes. Music videos serve as influential platforms, promoting particular images that subsequently permeate social settings and communities, reinforcing and amplifying these fashion statements.
The incorporation of sportswear into contemporary youth culture in the UK by Grime artists is increasingly prevalent and robust. From Skepta’s highly anticipated collections with Nike, to Stormzy’s Adidas collaboration, their influence is undeniable and continues to grow stronger with each passing day.
The discussion surrounding professionalism and appropriateness in fashion, particularly in the UK, is complex and often contentious. There are negative associations attached to certain styles, such as streetwear commonly worn by many Black men in London, which can be unfairly linked to antisocial behaviour or the stereotype of ‘roadmen.’
On the other hand, hairstyles like cornrows and other protective styles, prevalent among individuals of African and Caribbean descent, are consistent within the community but not outside of it, often deemed unprofessional.
However, when these styles are adopted by white individuals or fashion designers, they are often perceived as edgy streetwear or high-fashion statements, receiving praise and attention during fashion weeks. This disparity highlights broader issues of cultural appropriation and the double standards that persist within the fashion industry. Another example being Balaclavas- seen negatively on Black individuals but perfect for high fashion brands like Gucci’s runways.
Celebrities like David Beckham have sparked conversations by incorporating traditionally Black accessories into their fashion choices. For instance, Beckham notably wore a durag during a meeting with the now King of England, and he also styled his hair in cornrows when meeting Nelson Mandela. Growing up in London, Beckham’s fashion influences are deeply rooted in the diverse cultural landscape of the city. However, Beckham has expressed ‘regret’ over his past fashion choices, particularly the cornrows, acknowledging that they may have been perceived as ‘unprofessional’, especially in formal settings. Such rhetoric is “anti-Black” and dangerous to Black people and Black culture as individuals may be victims of discrimination because of their hairstyles in “professional” settings. Beckham’s fashion choices highlight the ongoing dialogue about cultural appropriation and the importance of understanding the cultural significance of certain fashion choices.
Recognising Trailblazers
In September 2023, as London Fashion Week drew to a close, Somerset House unveiled a groundbreaking exhibition titled “The Missing Thread: Untold Stories of Black British Fashion.” This exhibition aimed to celebrate the last 50 years of British fashion while shining a spotlight on the often-overlooked successes and influence of Black designers and the evolution of Black British fashion.
Curated by the Black Orientated Legacy Development Agency (BOLD), a dynamic creative and design development agency, the exhibition sought to catalyse structural and institutional change within the fashion industry and beyond. BOLD, conceived by visionaries Andrew Ibi, Harris Elliot, and Jason Jules, is dedicated to championing diversity, equity, and inclusion within the creative sphere.
Through compelling storytelling and visually arresting displays, “The Missing Thread” offered a platform to showcase the remarkable contributions of Black designers and creatives, shedding light on their impact on British fashion history and their enduring legacy. By amplifying these voices and narratives, the exhibition served as a powerful catalyst for dialogue, reflection, and action, driving forward a more inclusive and equitable future for the fashion industry.
The clothing choices and styling preferences of Black individuals should be regarded with respect. There’s a pressing need for less appropriation and more appreciation to recognise the cultural influence of Black people, not only within UK fashion but also on a global scale.
Black British Fashion Due 15th Of Feb:
Highlight the influence of Black British fashion and style on global trends.
Explore the joy and empowerment found in expressing cultural identity through fashion.
Black British Fashion
The phrase ‘Often Imitated, Never Duplicated’ captures the essence of Black British fashion and its global influence. While many may attempt to replicate the style, the originality and authenticity of Black fashion trends remain unparalleled. The unique blend of cultural heritage, innovation, and self-expression within Black UK fashion sets it apart, making it a trendsetter that resonates on an international scale.
From pioneering designers like Walé Adeyemi, to trailblazing models like Naomi Campbell, Black British individuals have played an integral role in shaping the fashion landscape.
The Influence of the Windrush Generation
[1948: Jamaicans on board the Empire Windrush, copyright Illustrated London News Ltd. Mary Evans]
The Windrush generation, on arriving in the UK, brought with them a rich tapestry of new skills, styles and fashions. Seamlessly integrating their cultural heritage into the fabric of British society, enriching the fashion landscape with vibrant and diverse influences. For instance, The Zoot suit was often worn by Caribbean men and consisted of high waisted, wide-legged trousers, worn with a long jacket.
Many aboard the HMT Empire Windrush brought with them the rich tradition of clothes-making, from shoemakers to tailors, each individual brought expertise to their new home. Despite facing racism, they sought to establish a new sense of identity in the UK. Their fashion choices reflected a blend of international influences, showcasing pride and determination.
Alethea McNish, born in Trinidad and moved to the UK in the 50’s was known for her colourful designs which stood out in the post-war period. She often worked with large fashion houses such as Christian Dior.
Today’s Trailblazers
Nigerian-British designers such as Fisayo Longe and Clint Ogbenna, have made significant strides in the fashion industry, establishing successful businesses that have dressed celebrities such as Saweetie and Drake. Their entrepreneurial endeavours not only showcase their talent and creativity but also contribute to shaping contemporary fashion trends and influencing popular culture.
Their creative expressions blend elements of African and Caribbean heritage with contemporary British aesthetics, offering a fresh perspective that resonates across diverse communities. Through their bold designs, vibrant colours, and innovative approaches, they challenge norms, celebrate diversity, and redefine standards of beauty.
Black British Women’s Influence
Black British women are increasingly influential in shaping global fashion trends, with their impact amplified by social media platforms. Captivating “get ready with me” videos are used to authentically express themselves, showcasing unique styles and perspectives that resonate with diverse audiences worldwide in real-time, underscoring the relevance and power of their influence in today’s fashion landscape.
Women are celebrated for their exceptional fashion sense and the significant impact it exerts on the global stage. This is evident in hashtags such as #UKBlackGirlAesthetic, boasting over 1000 posts dedicated to showcasing the distinctive styles of Black women in the UK, highlighting their unique fashion expressions that set them apart from counterparts in other regions across the globe.
Influencers such as celebrity fashion stylist, Melissa Holdbrook-Akposoe of Melissa’s Wardrobe and Nella Rose, are driving trends in the UK through popular “try on hauls,” where they showcase their favourite clothing items and highlight standout shops. These videos often go viral, significantly influencing the fashion landscape and the trends embraced by individuals across the country.
Their influence has garnered immense popularity, leading them to partner with global brands and even launch their own fashion lines. These lines not only reflect their personal style but also serve as a platform to influence trends centred around joy and empowerment. Through their fashion endeavours, they continue to inspire and uplift others, spreading body positivity and confidence throughout the industry.
[Melissa’s Wardrobe on Instagram] + [Pretty Little Thing x Nella Rose Collaboration]
Black British Men’s Influence
A standout figure in contemporary British fashion is Skepta, also known as Joseph Adenuga, renowned as a fashion icon and a regular presence at London Fashion Week. His distinct style has earned him recognition as one of Britain’s best-dressed men.
This year, Skepta expanded his influence with the launch of Mains London, a ready-to-wear line debuting at London Fashion Week. Blending streetwear with sophistication, his collection captivated audiences and critics alike, challenging norms and reflecting the diversity of British culture.
Skepta’s venture into fashion marks a significant milestone, reshaping the landscape of British fashion with his innovative designs and creative vision. As a trailblazer in both music and fashion, Skepta embodies the spirit of self-expression at the core of Black British identity.
The association between Black men and puffer jackets, as well as designer tracksuits influenced by Grime music, creates a symbiotic relationship where fashion trends inspire and are inspired by cultural movements. Celebrities, alongside the youth who admire them, play a pivotal role in shaping these trends, with their style choices setting the tone for broader fashion landscapes. Music videos serve as influential platforms, promoting particular images that subsequently permeate social settings and communities, reinforcing and amplifying these fashion statements.
The incorporation of sportswear into contemporary youth culture in the UK by Grime artists is increasingly prevalent and robust. From Skepta’s highly anticipated collections with Nike, to Stormzy’s Adidas collaboration, their influence is undeniable and continues to grow stronger with each passing day.
The discussion surrounding professionalism and appropriateness in fashion, particularly in the UK, is complex and often contentious. There are negative associations attached to certain styles, such as streetwear commonly worn by many Black men in London, which can be unfairly linked to antisocial behaviour or the stereotype of ‘roadmen.’
On the other hand, hairstyles like cornrows and other protective styles, prevalent among individuals of African and Caribbean descent, are consistent within the community but not outside of it, often deemed unprofessional.
However, when these styles are adopted by white individuals or fashion designers, they are often perceived as edgy streetwear or high-fashion statements, receiving praise and attention during fashion weeks. This disparity highlights broader issues of cultural appropriation and the double standards that persist within the fashion industry. Another example being Balaclavas- seen negatively on Black individuals but perfect for high fashion brands like Gucci’s runways.
Celebrities like David Beckham have sparked conversations by incorporating traditionally Black accessories into their fashion choices. For instance, Beckham notably wore a durag during a meeting with the now King of England, and he also styled his hair in cornrows when meeting Nelson Mandela. Growing up in London, Beckham’s fashion influences are deeply rooted in the diverse cultural landscape of the city. However, Beckham has expressed ‘regret’ over his past fashion choices, particularly the cornrows, acknowledging that they may have been perceived as ‘unprofessional’, especially in formal settings. Such rhetoric is “anti-Black” and dangerous to Black people and Black culture as individuals may be victims of discrimination because of their hairstyles in “professional” settings. Beckham’s fashion choices highlight the ongoing dialogue about cultural appropriation and the importance of understanding the cultural significance of certain fashion choices.
Recognising Trailblazers
In September 2023, as London Fashion Week drew to a close, Somerset House unveiled a groundbreaking exhibition titled “The Missing Thread: Untold Stories of Black British Fashion.” This exhibition aimed to celebrate the last 50 years of British fashion while shining a spotlight on the often-overlooked successes and influence of Black designers and the evolution of Black British fashion.
Curated by the Black Orientated Legacy Development Agency (BOLD), a dynamic creative and design development agency, the exhibition sought to catalyse structural and institutional change within the fashion industry and beyond. BOLD, conceived by visionaries Andrew Ibi, Harris Elliot, and Jason Jules, is dedicated to championing diversity, equity, and inclusion within the creative sphere.
Through compelling storytelling and visually arresting displays, “The Missing Thread” offered a platform to showcase the remarkable contributions of Black designers and creatives, shedding light on their impact on British fashion history and their enduring legacy. By amplifying these voices and narratives, the exhibition served as a powerful catalyst for dialogue, reflection, and action, driving forward a more inclusive and equitable future for the fashion industry.
The clothing choices and styling preferences of Black individuals should be regarded with respect. There’s a pressing need for less appropriation and more appreciation to recognise the cultural influence of Black people, not only within UK fashion but also on a global scale.
In the ongoing conversation about mental health, one crucial aspect often overlooked is the unique intersectionality experienced by the Black community. From systemic racism to historical trauma and cultural stigmas, Black mental health faces multifaceted challenges that demand attention and action. In this blog post, we delve into why Black mental health matters and explore the key factors contributing to its significance.
Systemic Racism: A Barrier to Mental Wellness
Systemic racism pervades various aspects of society, including healthcare systems, education, employment, and criminal justice. In the context of mental health, Black individuals often encounter discriminatory practices that hinder their access to quality care and support.
Studies consistently highlight racial disparities in mental health treatment, with Black Brits receiving less adequate care compared to their white counterparts. This inequity is compounded by factors such as implicit bias among healthcare providers, lack of culturally competent services, and unequal distribution of resources in predominantly Black communities.
Moreover, experiences of racism and discrimination contribute significantly to the psychological distress experienced by Black individuals. The cumulative effects of microaggressions, racial profiling, and systemic injustices can lead to increased rates of anxiety, depression, and post-traumatic stress disorder (PTSD) within the Black community.
Historical Trauma: Healing Generational Wounds
The legacy of slavery, segregation, and systemic oppression has left a profound impact on the mental well-being of Black people. Historical trauma refers to the collective emotional and psychological wounds passed down through generations as a result of past atrocities and injustices.
For many Black individuals, the intergenerational trauma stemming from centuries of enslavement, racial violence, and institutionalised racism manifests in various forms of psychological distress. These unresolved traumas can perpetuate cycles of dysfunction, substance abuse, and interpersonal violence within Black families and communities.
Addressing historical trauma requires acknowledgment, validation, and healing on both individual and societal levels. By recognizing the enduring effects of historical injustices, we can create spaces for healing, resilience, and empowerment within the Black community.
Disparities in Access to Care: Bridging the Gap
Access to mental health care remains a significant challenge for many Black individuals due to various socioeconomic barriers and systemic inequalities. Factors such as lack of insurance, transportation limitations, and geographical disparities in mental health services disproportionately affect Black communities, particularly those living in underserved areas.
Additionally, cultural stigma surrounding mental illness often deters Black individuals from seeking help or disclosing their struggles. The fear of being labelled as “weak” or “crazy” within their own communities can further isolate those in need of support.
Efforts to bridge the gap in mental health access must prioritise culturally sensitive interventions, community-based initiatives, and equitable distribution of resources. By dismantling systemic barriers and promoting inclusive, accessible care, we can ensure that Black individuals receive the support they need to thrive.
Cultural Stigma and Spiritual Beliefs: Navigating Complexities
Within many Black cultures, there exists a complex interplay between mental health, spirituality, and cultural beliefs. Traditional healing practices, spiritual rituals, and religious faith often play integral roles in coping with mental illness and distress.
However, stigma surrounding mental health remains pervasive in some Black communities, where issues such as depression or anxiety may be attributed to spiritual causes like “jinns” or “bad spirits.” While spiritual beliefs can offer solace and support, they should not serve as substitutes for evidence-based treatment and professional care.
Breaking the stigma surrounding mental health within Black communities requires open dialogue, education, and de-stigmatisation efforts tailored to cultural contexts. By fostering culturally relevant conversations and promoting understanding of mental health as a holistic concept, we can empower individuals to seek help without fear of judgement or shame.
Breaking the Stigma: Advocating for Change
In conclusion, addressing the complexities of Black mental health requires a multifaceted approach that acknowledges the intersecting influences of systemic racism, historical trauma, access disparities, and cultural stigma. By amplifying Black voices, advocating for policy reform, and investing in culturally competent care, we can work towards a future where Black individuals have equitable access to mental health resources and support.
Together, let us recognise the importance of Black mental health and commit to breaking down the barriers that stand in the way of healing, resilience, and collective well-being. The journey towards equity and justice begins with each of us taking a stand for Black mental health.
As we strive for progress, let us remember the words of Audre Lorde: “Caring for myself is not self-indulgence, it is self-preservation, and that is an act of political warfare.” In prioritising Black mental health, we affirm the inherent value and dignity of every individual, fostering a world where all can thrive
London, UK – April 19, 2024 – Ife Thompson, the esteemed founder of BLAM UK, a leading Non-Profit advocating for Black Language Justice, delivered a compelling address at the United Nations Permanent Forum on People of African Descent. Thompson’s impassioned speech took place during the cultural rights session, where she shed light on the importance of linguistic freedom, protection and justice for Black and Creole Language speakers.
The Permanent Forum, convened by the Office of the United Nations High Commissioner for Human Rights, serves as a critical platform for discussing issues pertinent to people of African descent worldwide. Thompson’s participation underscored the urgency of addressing linguistic discrimination particularly in Schools and Courtrooms and promoting the preservation and celebration of Black languages and dialects.
During her address, Thompson eloquently articulated the ongoing need for Black Language Justice as a fundamental component of cultural preservation and identity affirmation. She emphasized the historical marginalisation of Black languages and the detrimental impact of linguistic prejudice on Black communities globally.
“There can be no cultural rights without Language Justice rights ,” stated Thompson. “Language is not only a means of communication but a powerful tool for, cultural transmission, and resistance against systemic oppression.”
Thompson’s powerful message resonated deeply with attendees, garnering widespread acclaim for its thought-provoking insights and call-to-action for policymakers and stakeholders within the UN Forum to prioritise Black Language Justice initiatives.
BLAM UK remains committed to advancing the cause of Black Language Justice and stands ready to collaborate with international partners and advocates to effect meaningful change.
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Greetings, music enthusiasts! Today, we embark on a rhythmic journey into the vibrant world of Fuji Music, a genre that not only resonates with soul-stirring melodies but also carries the essence of African pride and identity.
Fuji Music, a captivating musical genre hailing from the lively city of Lagos, Nigeria, had its inception in the late 1960s. This rhythmic phenomenon is deeply rooted in the cultural fabric of the Yoruba people, who possess a profound appreciation for expressive art forms. The very name “Fuji” draws inspiration from Mount Fuji in Japan, symbolically representing the genre’s pinnacle and significance.
Now, let’s explore the historical backdrop that gave rise to Fuji Music. The 1960s and 1970s witnessed Nigeria undergoing substantial social and political shifts. Against this dynamic backdrop, Fuji Music emerged as a resonant musical response, becoming the melodious voice through which the Yoruba people articulated their joys, challenges, and aspirations. Musical maestros like Sikiru Adepoju and Ayinde Barrister played pivotal roles in pioneering Fuji Music, transforming it into a cultural phenomenon that struck a chord with the masses.
This genre, with its pulsating rhythms and evocative lyrics, became a sonic reflection of the times, providing a platform for the Yoruba community to narrate their stories and experiences. The emergence of Fuji Music during this transformative period further solidified its role as a cultural conduit, preserving and transmitting the essence of the Yoruba heritage.
Themes of Innovation, African Pride, and Identity:
In the artistic alchemy of Fuji, the traditional Yoruba percussion instruments take center stage. The mesmerising beats of the talking drum (gangan) and the rhythmic resonance of the bata drums echo through the ages, providing a link to ancestral traditions. Yet, Fuji Music is not confined to the echoes of the past; it boldly strides into the present with a fusion of modern elements.
Synthesisers and electric guitars seamlessly intertwine with the traditional instruments, crafting a sonic tapestry that mirrors the duality of the Yoruba cultural experience – a harmonious blend of ancient rhythms and contemporary beats.
This amalgamation of tradition and modernity within Fuji Music births a unique auditory experience, a distinctive sound that not only captivates the ears but also encapsulates the very essence of the Yoruba people’s heritage. It is a musical journey that transcends time, resonating with both the echoes of history and the pulsating beats of the present.
The lyrical narratives within Fuji Music serve as a potent vessel for cultural storytelling. Delving into societal issues, folklore, and the tapestry of everyday experiences, the lyrics become a mirror reflecting the resilience and spirit of the Yoruba people. Through the poetic verses and rhythmic cadence, Fuji Music becomes a living chronicle, narrating tales of triumphs and tribulations, echoing the collective heartbeat of a community.
Crucially, Fuji Music functions as a powerful medium for cultural preservation. As the melodies dance through the air, they carry with them the echoes of a rich cultural legacy, resonating through generations. The younger audience, enveloped in the pulsating rhythms, finds themselves not only entertained but also intricately connected to their roots and heritage. Fuji Music becomes a bridge between the past and the present, ensuring that the flame of cultural identity continues to burn brightly in the hearts of those who sway to its beats.
The Muslim Connection:
Ayinde Barrister, a trailblasing figure in the Fuji Music scene, not only embraced Islam but also skillfully incorporated Islamic themes into the lyrical fabric of his compositions. This harmonious fusion of music and religion is far from a mere artistic choice; it imbues Fuji with a spiritual depth that resonates beyond the musical notes. The inclusion of Islamic elements creates a unique resonance, tapping into the spiritual sensibilities of both musicians and audiences alike.
This amalgamation of Fuji Music with Islamic influences extends beyond the personal choices of individual artists. It becomes a cultural bridge, connecting diverse communities through the shared language of music and faith. Fuji, with its Islamic undertones, fosters a sense of unity that transcends cultural and religious boundaries, reinforcing the idea that music can serve as a unifying force.
The Muslim connection in Fuji is not a divisive factor but rather a unifying thread that stitches together the diverse tapestry of Nigerian society. It highlights the beauty of cultural harmony, showcasing how Fuji Music becomes a common ground where people from different backgrounds can come together, share in the spiritual experience, and appreciate the rich diversity that defines Nigerian culture.
In the words of the great Ayinde Barrister, “Music is the heartbeat of a nation, and Fuji is the rhythm of our heritage.” These melodies serve as more than just entertainment; they are threads weaving a narrative of resilience, pride, and unity. Fuji Music, with its roots firmly planted in the soil of Yoruba culture, has blossomed into a vibrant flower that continues to bloom with each beat.
As we reflect on the journey through the rhythmic landscapes of Fuji Music, let’s take a moment to appreciate the genre’s profound impact. It goes beyond preserving cultural identity; it serves as a bridge connecting generations, a testament to the enduring spirit of a people proud of their heritage.
So, let the beats of Fuji Music linger in your ears, and may they remind you of the beauty found in the fusion of tradition and innovation. As we celebrate the harmonious notes that reverberate through time, let’s embrace the unity that Fuji Music inspires, transcending boundaries and fostering a shared sense of pride in our African heritage.
BLAM UK CIC 